deep sea frequency set out in their pursuit of presenting chopped and screwed multi-dimensional dance floor and non dance floor frequencies to the world. first record by or:la, is a hypnotic dance floor excursion, steeped in borrowed japanese sound, polyrhythmic percussion and deeper than deep grooves.

for the first half of the twentieth century, ellis island stood as the gateway to america. for some twelve million people, it was their first encounter with the land they hoped to call home.
directed by acclaimed artist jr, ellis tells the story of one such migrant. starring robert de niro, the film winds its way through the crumbling hallways of the abandoned ellis island hospital complex, now home to jr’s unframed art installation. it’s a place that reverberates with the hopes and fears of those who passed through it, the echoes especially resonant today.
entwined with the narrative is a score composed by woodkid, performed and co-written by nils frahm. the delicate piano motifs of winter morning i culminate in a crescendo of strings, while the harmonium swells on the b-side are the foundation for de niro’s narration: an encomium for those who shaped modern america. there’s perhaps never been a more fitting time for this story, with all the proceeds going to the sea watch initiative, a non-profit charity dedicated to the protection and rescue of civilian refugees.
pressing on 180g vinyl, includes 12x12” foto booklet and download code.

!! coloured vinyl !! killekill sublabel
„umwelt’s 12inch “… city” from 1999 was one of the most impressive 12inches i had at that time and i played the shit out of it. it was dark and very emotional, it was abstract but also driving at the same time. this was 1999 though, before discogs and before facebook and all the other platforms people have now to do research on artists they like and follow their work. at that time it was the record shop – and that was it. nobody knew this guy though, and i didn’t get my hands on any of the following releases, so in my world there was no follow-up to this record ever and i thought it would remain a one-off gem in my record box. until by some coincident i recently discovered he was still around and had actually released numerous releases in the meantime. i was very excited and contacted him straight away and ended up booking him for krake festival in the same year. undoubtedly his set was one of the best of the whole festival! he took the roof off the place with his mix of raw electro, industrial and rave and everybody was talking about it afterwards, saying it was the highlight of the festival! talking to him i learnt, that most of the tracks he played were his own, mostly unreleased. he produces without computers, all his tracks are single takes, there is no editing, no mixing afterwards, he only has a stereo track recording which is what it is. he owns a cutting machine which he uses to cut dubplates from his tracks, which he then plays out during his sets. this whole information about this very unique artistic approach just killed it for me, and since working with him was so nice as well, i asked him for a demo for killekill and its labels and was hoping for tracks i could make a great 12&#8243,, of. i got 14 tracks and after weeks of trying to pick the best, i finally realized i held one of the best electro albums ever in my hand – banging beats and the balls to go big and epic, subtle melodies, drama, funk – this album has got it all, and what’s most important, the music on it is the exact opposite of so much other music nowadays: it is emotional, it tells a story, it is easily recognizable and it is not interchangeable. it’s just umwelt.“ nico deuster

claude debussy (+1918) was one of the most popular and forward thinking composer associated with impressionist music. his innovative and at this time new way to compose music with non traditional scales and chromaticism inspired countless artists from the likes of steve reich, philip glass, miles davis and herbie hancock. remarkable attributes of his music were i.e. the usage of parallel chords, bitonality and many compositions of whole-tone and pentatonic scales and all this surely reminds us on contemporary electronic music where you hardly find limits or boundaries when it comes to traditional, harmonic sounding scale tone music. after studying countless composers of the last centuries marc romboy decided to accept the challenge to edit, remix and reconstruct several works of his favorite french composer, ranging from „la mer“ to -prélude à l après-midi d un faune“. romboy: „one sentence of debussy impressed me a lot when he said that he simply intents to write new sounding music. this is and has been exactly my goal, to create kind of unheard sounds“. on the album romboy performs together with the dortmund philharmonic orchestra, the renowned conductor ingo-martin stadtmüller, the well respected düsseldorf based concert master miki kekenj and sound programmer ali khalaj. the recordings was directed december 12th 2016. it s the first live recording ever released on an album where electronic sounds and classical components were merged in such manner.

tobias bernstrup is a contemporary musician and video artist born 1970 in gothenburg, sweden. he received an mfa from royal college university of fine arts stockholm in 1998. using the visual language of pop culture, video games, sci-fi, classicism and gothic noir, he has created a stage persona with notorious live performances. dressed in elaborate costumes of skin-tight rubber suits and fetish gear, tobias’ external appearance is androgynous. he raises questions about representation of identity, the body and physical space in both virtual and non-virtual realities. between 1997 and 1998 he self-released two limited cd-r eps. in 2002 his debut album ‘re-animate me’ was released by tonight records followed by two limited 12” singles for the song “27” and the italian version “ventisette”.
“27” is a 5-song ep collecting 4 different mixes of the title track plus one unreleased song from the ‘re-animate me’ recording sessions. the material on this ep is closely connected with the world of computer games which bernstrup also inhabits.

3 teens kill 4 was born in the summer of 1980 in the east village of new york city. they took their name from a new york post headline. the group consisted of doug bressler, brian butterick, julie hair, jesse hultberg, david wojnarowicz. there was a conscious decision not to have a front person or lead singer. david made cassette tapes with voices and sounds that he held up close to a microphone, fast-forwarding and rewinding. julie tried different rhythms on a korg rhythm machine. brian played a casio drum machine and jesse was on bass. doug joined the group in time to make the debut album. he was a music lover who understood how to avoid covering over the band’s non-musicality. their debut 7-song mini-album “no motive” was recorded in fall 1982 and self-released in 1983.

if mega-psychedelic tripping house excursions are your thing then it s entirely possible that derrick carter s sound patrol orchestra may have exactly what you need. no exaggeration. tripping among the stars indeed. the other version of this jam lifted from the sweetened - no lemon lp from 1994 is maybe a little better known, but these mixes right here are worthy of all your attention too! 3 non-stop funk excursions into the cosmos with derrick and co. joining you and guiding you with their cosmic voices. it s hard to pick a favourite as all included are very different beasts yet somehow essential. honestly, this ep kinda shits on most things that you may hear currently and this stuff is from 1997. the still trippin mix is definitely a standout, a free, weaving, 12 minute plus colliding jam that just opens up and evolves real lovely, exactly the kind of record you want to hear around 7am on a smoky dance-floor somewhere. pure after hours perfection. the other mixes are just as potent, with a heavy cowbell laden dc dub mix that s brimming over with live drums and handclaps and a superb bass laden wamdue kids mix that takes off into the stratosphere of deep. basically, this whole record has it covered. literally, it shouldn t leave your bag anytime soon. essential new (old) school chicago gear that just won t quit. thank the heavens we all get the chance to trip again with this beautiful repress! essential. remastered and repressed with the involvement and welcome assistance of the mr.derrick carter, chicago usa.

a-side fully hypnotic, frontal, skeletal & static live drum track with dubbed vocoder throughout the whole side. helsinki s jesse duo with a special non-album track from their album sessions produced by dj sotofett (upcoming lp on keys of life). on the flip lns collaborates with dj sotofett for a shimmering and pad warming ambient track kept coherent by liquid driplets of echoed synths at the beginning and later the tickering & harmonic arpeggios.

2017 repress due to high demand and crazy online prices!! santuri s embaire umeme ep got a worldwide premiere from gilles peterson on a never-ending quest to support and exposure far off musical cultures around the world, the next on the corner releases sees them look to uganda. teaming up with santuri (an east african electronic music innovation project) and soundthread (a creative development non-profit), they have worked alongside the mugwisa international xylophone group with modern recording techniques and further re-arrangement on two remixes. the first, by sam jones, was premiered last week by stamp the wax, and today ushers in the second by alejandro mosso. a thudding kick drum at the first beat aims this one straight towards the early evening dancefloor. working in unison with samples from the giant wooden xylophone and conversations between the musicians, serves to place the track back into its original context and is allowed to settle for a couple minutes, before what sounds like a kora or zither brings a far-eastern twist. with the slow-burning, steady elements of a balearic production and the beguiling hypnotism of steve reich s work this is a big worldwide favourite.

in quick succession to arcs-03, which boasted remixes by the mover, shifted and peder mannerfelt, cassegrain keep up the pressure with a new ep of originals arcs-04. returning to their tunnelling hypnotic trademark sound over three focused, club-ready trips, the arcing seas heads channel varied and irrepressible moods into each track. built on solid dancefloor founda-tions and rich in colourful, non-conventional sound design, they scan through tribal ritualism with a side shahmaran, moving to the pumping urgency of caracal and the rolling post-acid workout of vulpine arcs-04 is a straight-up dj-friendly 12inch, something that’s conveyed in the record’s more minimalist artwork.

lf rmx arrives as new non-profit platform which will share only edits originally made by len faki for playing in his dj sets. what began as small technical tweaks has since grown into passionate work, the edits eventually becoming an important staple to the special feel and flow of the figure head’s well-renowned approach to djing. the series’ first release features the rework of dj bone’s 2016 slammer ‘black patterns’, whose heavily rolling nature the hardspace mix builds upon. keeping the oldschool drums’ weighty feel, len faki gives his a edit a more compact shell and punchy edge. the centerpiece piano stabs also reign over this version, albeit rising in a glimming, glistening fashion, making it a definite choice for this summer. the hardspace tool on the other side steers clear of piano and vocal, rather developing a lively sequence of unmistakenly len faki-styled, vigorous percussive permutations. as this project is very much a matter of the heart, and as much about honoring the orignal artists’ work as it is about sharing the edits with a wider audience, there will be no monetary gain involved. instead all the proceeds will be donated fully to straßenkinder e.v., a berlin organization fighting against child poverty

nice price deal !!! four track ep of thumping sub lo techno, inspired in part by the schlocky writings of h p lovecraft. precision styled explorations into the outer side of the dance – hyperactive percussion, jacking kick drums and some serious low end bass create a dirty machine funk to shake booties as much as tickle the cerebral heads.

non worldwide co-founder chino amobi makes his vinyl debut with the soundtrack to choreographer ligia lewis’ minor matter, a performance piece that deftly articulates an argument for minoritarian politics. most of the material is newly commissioned but one of the tracks, ‘locus of control’, is lifted from amobi’s provocative airport music for queer black and brown folk album, in which he follows brian eno in inducing the atmosphere of an airport terminal. but through the eyes of a black man and with 2016 realism, it’s a different story, where eno invites lullaby, chino unshackles nightmare

jelly beast recordings presents their third vinyl release. this time a massive ep from silat beksi alongside a daniel sanchez remix. both artist don’t need any introduction, they deliver the best quality minimalistic techno for years on end!

produzentenalbum featuring ill bill, goretex, planet asia, chief kamachi, und anderen für fans von jedi mind tricks, vinnie paz, non phixion etc. die vinyl-lp erscheint inklusive downloadcode.

paul hester created his cult moon music label in 1997 as a portal for his own productions and sounds. the label was short-lived, with only 3 releases in it s catalogue, all produced by hester himself. those few releases on moon are now highly sought after among house and techno aficionados who are forever seeking that deeper groove. the interesting part of this story, beyond the amazing music that was released, is that there are many other tracks that never saw the light of the day, thus leaving the full moon story untold. the electric wig ep was the first release on the label and is here in fully remastered reissue form, with all racks lovingly transferred from paul hester s private, personal dat stash. classic, deep uk techno sounds from the pre-millenium era, re-presented for the first time for 2017 s dancefloors. across these 2 tracks and 2 lock grooves we are treated to a sound that is timeless and will undoubtedly gain paul hester new fans while reminding those of us who were there in the late 90 s about his subtle and uniquely fresh production style.

the release opens with brian s proper dun one , a track which caused a twitter meltdown on alan s profile when he first started playing it at the tail end of 2016. loaded with sharp and pounding drums, this is an ethereal experience from start to finish and packs a real punch. it s a no holds barred, certified main room anthem. wait a second feat. mc r1bbz has been a staple of adam beyer s sets of late and has been getting a lot of air time on drumcode radio. this rave inspired track takes a raw, stripped back approach and delivers a real killer blow. alan sampled the vocals of mc r1bbz from an ltj bukem tape pack from the early 90s and the record tips its cap to early jungle raves around the m25. the release closes with trance, init? , a homage to alan s days first and foremost as a raver before he became a dj, with his non-purist attitude when it comes to electronic music shining through. the breakdown is sure to be a hands in the air moment at festivals all over the globe this summer.

ninze & okaxy’s “blurry mind”, a frame of their impressions & work, as sine qua non for every listener, and a memory of all their travels over the past year. for the last half a decade ninze & okaxy have been establishing a significant and experimental sound, self-branded ketapop, by creating a spherical, yet melancholic atmosphere with a distinctive deepness and complex sound patterns. as part of the laut & luise family, and working their magic with side-project wide awake.
the blurry mind ep contains three unreleased tracks and plus the soundcloud hit four that is now officially published.

best works records label-owner andré lodemann is back with a new long-awaited ep on his imprint. it is the 20th release on the label. for this “birth” ep andré personally enlisted non-other than swiss duo adriatique for their remix skills aswell as new-comer producer fabian dikof. andré’s track “birth” creates contrasts using african-drumming inspired styles paired with techy-beat pro-gramming. starting more on a minimal tip the track works its self up to high-tension climaxing with an emotional break keeping the deeper moments intact. adriatique created a faster more club-orientated ver-sion paring the more hooky parts of the original with beat-sythn elements giving the track a more tribal feel. the second remix featured here come’s via fabian dikof the second main artist on best works records. it s great to have him remix andré lodemann at last presenting his masterful skills. fabian took a different path in his remix working more on the melodic hook but also creating a warm bass-laden soundscape that loves the dance-floor in its own right.

12 x 12 inch karton-schuber mit 8 alben auf 9 mal schwerem vinyl + downloadcode (“the mix” ist ein doppel-vinyl). neue aufnahmen (2012 - 2016) aller kraftwerk-alben in ihren deutschen versionen:
- autobahn
- radioaktivität
- trans europa express
- die mensch-maschine
- computer welt
- techno pop
- the mix (2x12 inch)
- tour de france

die beigefügten hörbeispiele sind nur ein kleiner auszug aus der 69 titel umfassenden gesamtliste.

guess whose back on skylax ? lance desardi ! west coast legend that started in 1998 & signed on cult labels such as chez music, pacific coast house, siesta, lowdown, beat non stop, greenskeepers alongside crazy other artists such as jt donaldson, doc martin, iz & diz, joeski, dj buck, blakkat, rasoul, dj spun, hippe & halo and so on ! now based in london & heading legwork, he s back with an amazing deep – house breakbeat 12 inch that sounds so original in comparison with what we are hearing today. this ep delivers an amazing quality close to perfection for us on all levels. all in all, another killer release that feels straight at home in the skylax records impressive catalogue

the concept of this record is simple, 4 artists join forces to create these non compromising, focussed dj tools which marks the start of a new release series. the berlin based producers avgusto, jamie anderson and strisc. are no stranger to florian meindl s flash recordings with several releases on the label and rekord 61 from moscow is a new addition to the roaster. vinyl only.

77 mins (abridged) version of full-length release containing music from all 8 albums on double heavyweight vinyl. this is the english version (vocals & track names where available).

dmc world champion & ida world champion dj ritchie ruftone presents volume 4 of his “practice yo! cuts” series. pressing on red coloured vinyl.

77 mins (abridged) version of full-length release containing music from all 8 albums on double heavyweight vinyl + download code. this is the german version (vocals & track names).

after the success of most excellent unlimited’s first dj tools collection, a new roster of dance floor masters has convened to open their bag of tricks. theres something for every mood on this eight- track ep, opening appropriately with the one-two disco punch of justin van der volgen’s energetic conga break high in nyc and legendary better days alum bruce forest’s anthemic “street break, with its instantly recognizable brass hook and percussion from brazilian maestro airto moreira. photays j train squeak break builds drama with a minimal afro texture while phil moffa goes the other way with a tribal four-on-the-floor stomper. the flip side continues the diverse directive, as devin dares opening segment demonstrates with a never-issued labelle live session. jex opolis crafts a clever sun palace-esque casio workout and downtown veterans whatever/whatever revisit a much- loved technopop beat before kza takes things out with fitness beats, a sweaty workout that runs through a dozen iconic disco breaks. once again, most excellent breaks, beats & loops lives up to its name with a high-quality collection that proudly extends the lineage of the classic new york city break compilation.

the secret squirrels are non-stop in their search for irresistible, raw and tracky disco-tinged grooves that are primed and ready to slay your dance floors. the first offering here works the chunkier and funkier side of the woods, while the flip gets all late night, dirty and ecstatic on you. don t feed the animals when you can make them dance.

includes beautiful full colour coverart.“artful rifle is a new record label dedicated to “non-serious techno music” founded by berlin based producer pablo mateo. the first release “tentlover” ep comes up with 4 atmospherical, psychedelic techno trips - paying an homage to octavia e. butlers “xenogenesis” trilogy.

castanea records returns with its seventh release, we are talking again about an lp this time signed by paradroid. the artist is the new entry in the label and returns after a long time with an album that draws a definitely microhouse sound which characterizes him being a pioneer of this genre. an old school sound unique and characteristic perhaps missing in the market since long. 8 tracks cared in minimum and the high quality details mixed and registered 100% in analog tape. this icing cannot miss in the disk bag of any connoisseur in gender or non. there will be a novelty even on artwork level, this time we have decided to adapt to release a beautiful gatefold rough collectible cover. vinyl only!

hell yeah is proud to present a new ep from an artist that has been on their radar for a while. that artist is napoli s quiroga aka walter del vecchio, the italian dj and producer who also runs his own really swing label and has been given props by the in the know test pressing blog, as well as having all his tunes dropped by balearic gabba sound system at every opportunity.

dean martin’s 1962 album “dino: italian love songs” back on 180 gram vinyl with download code included.

die wahrscheinlich bekannteste comicgruppe des musikgeschäfts meldet sich 2017 mit einem neuen album zurück: »humanz« heißt der mittlerweile vierte studiolongplayer der band, für den damon albarn und jamie hewlett wie gewohnt mit einem ganzen schwung hochkarätiger kollegen kollaborierten.
auf der gästeliste von »humanz« stehen unter anderem grace jones, danny brown, benjamin clementine, pusha t, vince staples, peven everett, mavis staples, jehnny beth (savages), und auch de la soul sind mal wieder mit von der partie. die größte sensation ist aber wohl die mitarbeit von oasis-frontmann und langzeitrivale noel gallagher

after meeting in a shared taxi to heatrow airport hodge and peder mannerfelt decide to do some music together. 2 years of discussing concepts and non-concept over twitter messenger resulted in the 3 track ep >all my love<.

docile 27 is a mesh of simple harmony, rational rhythm, and vocal non-sense. each release brings a deeper dimension to the concept of docile. docile relies on unconventional bass lines that move a stripped down funk through drunken tones. vocal clips pop and yip inside the 4/4 time. clean edits and effects bind and define the relevance of each ingredient. dociles mission is to tease out a style of minimal that is neglected by a distracted world.

der britische ausnahmeproduzent darren daz cunningham, besser bekannt als actress oder neuerdings azd (acid ausgesprochen) ist mit einem neuen album auf ninja tune zurück! spätestens seit seinem 2014 veröffentlichten album ghettoville welches auf dem von ihm mitbegründeten ninja tune sublabel werkdiscs erschien wird er als einer der größten innovatoren elektronischer musik gehandelt. das album vereint komplexität spielend mit eleganz und verschmelzt zusammenhanglose wortkonstruktionen und elektronische klangwelten mit hilfe neuester ghetto cut up technologie. cunningham selbst beschreibt das neue album als non dance based civillian mind groove, mapped to an external soul beyond the collapsing black hole…music is chaos r.i.p music

following on from his recent well-received 12 on cin cin and previous releases on respected labels such as hivern and permanent vacation. we are excited to present this three track 12inch anya s piano the first taste of the forthcoming debut lp from new jackson from night to night. the title track is a slow building double bass led boogie house groover with saxophonist terry edwards pj harvey/gallon drunk adding more depth to its layered, rich melodic texture. the flipside features two non lp tracks - the ghostly rave sound of in my room with the new jackson signature sound of dusty boogie synths and vocoder of leave me making closing out the 12 inch. beautiful cover photo by richard gilligan, all put together as ever by practice and theory.

bartellow has long been associated with the esp institute though tambien, a trio formed alongside bavarian cohorts marvin and valentino, who have released seminal dancefloor material over recent years. with his debut album panokorama, we are invited into a completely different world of bartellow s creation a place where influences become a melting pot of mood, nuance and texture, and where instrumentation is abstracted from a variety of cultures, including those that exist solely within his imagination. bartellow has found a way to merge primitivism with retrofuturism, identifying their point of intersection and reveling in their union across ten songs. while his academic background as a jazz musician certainly informs both his progressive approach to composition and non-linear production, it is his obsession with electronics and synthesis that shape his current musical climate. the title panokorama stems from bartellows visualization of the album, a surreal landscape with a foreign presence centrally embedded, a panorama punctuated by a ko, although a hybrid word that reads as nonsense, it somehow feels and sounds just right.

welcome to season five of the jazz jousters sessions. after four years of non stop album releases we thought we d take a few months time out to think and work out what we would do next this season. we decided to attempt another locations series since we are yet to take on some of the locations many of you have suggested via our updates pages and emails. so here we go...
mjm would like to present locations: usa, the vinyl and cassette edition as we continue to explore the sounds, influences and styles of jazz music in different regions of the world.
in this session we hear the result of each jouster as they each chose one or more jazz musicians from the united states and began to work with that sound and come up with an instrumental in their own style, just like in season four. however there was a twist, this time they were challenged to focus on jazz between the years of 1960 to 1969. see what you think of the outcome...

grebenstein is a producer, dj and visual artist living in kassel, germany. after playing in several bands as a drummer and guitarist he made his solo-debut with a 4-track ep on the regis helmed label downwards records in november 2014. the gloss 4 track ep for horo comes after his downwards records follow up strong, proud, stupid, & superior with seefried was released in october 2016. title track gloss centres on percussive crescendos and pensive guitar layers, while self and its version stretch this effect out into a grinding, slow motion introspection. loss closes the ep with serrated drum machine blasts punctuating feedback contortions. the tension throughout the ep is palpable, with the shaping of the tension providing the substance of his signature style. non club tracks for open minded clubs.

driftmusic, version: k / wht / 001 - exploring the deep roots of avrokosm, where occult still means hidden, starting in reverse. best foot forward, two epic reich-esque ttrriippmuzik cuts exploring rhythm, harmony and polymeter. beyond the cloud suckerpunches of non giallo, un-trance tech-disco glass-spacerock. non academic explosions of synthetic joy. not for wimps.

black truffle presents people pleaser, the new lp from nantes-based drummer and percussionist will guthrie. initially rising to prominence in australia as a drummer in the fields of jazz and improvised music, guthrie later turned increasingly toward electronics and amplified percussion, developing an idiosyncratic style of electro-acoustic performance characterized by shimmering metallic textures, rapid-fire textural transformations and aggressively high volume. recent years have seen a return to the drum kit in both solo and collaborative work, in performances where guthrie uses duration and endurance to push at the limits of his formidable technical abilities as a player in the free jazz tradition, working variations on short rhythmic units into an endless flow of non-metered pulse.

* this is akiko kiyama s 4th full-length album, stemming from two years of exploration outside her established dance floor inclinations, boiling down her sound to its essential organic grooves, intricate harmonies and eery atmospheres. the nature of her organic grooves lies within inter-sound gaps, carefully crafted to lead the listener through time distortions and into an hypnotic solitary world where music is breathed, not played. a sound imprinted of a definitely human character and vigor, yet sometimes ambiguous, fleeting, and capricious. from her peculiar sense of harmony and rhythm, and a meticulous minimal approach to composition, emerges rich lyrical lines forming a unique musical universe that few has had the chance to hear yet.

osf deliver the first of two new releases for early 2017. 4 tracks of dark and twisted techno for the small hours. nur jaber, stephanie sykes, chris braun and charlton remix all provide some dark energy for this super raw techno va from osf. for fans of the more experimental and non compromising sides of electronic music.

the most powerful non-chemical flashbacks are induced by memories of adolescence—the time of your frst kiss, frst spliff, and those sounds that irrevocably alter the course of your life. calvin valentine’s “eugene” captures the intensity of those feelings. released on eyrst, it is a love story to the artist’s oregon hometown, replete with swooning strings, angelic melodies, extraterrestrial talkboxes, and evocative nostalgia. it’s rap, it’s r&b, it’s soul. it’s one of those indefnable albums that allows you to understand why genre is obsolete. it’s music—a timeless project from an artist who is acutely aware of how much time has elapsed. on eugene, valentine managed to do one of the most difficult things in music: write affecting love songs without coming off sappy, conveying the madness that sweeps you during the frst ?ush of teenage romance without losing a hip-hop edge. valentine’s eugene is a stark declaration of a singular talent. it’s the work of an artist fercely aware of what made him, who he is, what he loves, and where he’s going. this is an album about growing older and falling in love with different things but never forgetting those memories, never forgetting the place you’ll always call home.
the vinyl release includes a download code and a fold-out poster.

four intense and explicit tracks from the darkest vaults of oblivion. made to meet your higher self in a spiritual surrounding of non physical yet illusional vibrations. lol just kidding - but still, some serious low end hammering going on here.

secretsundazes 021 comes in the shape of a 2 tracker from endian. for those that don t know endian is the house/techno alias of george levings most famously known as commix (metalheadz). endian was of course responsible for the huge finish me on secretsundaze in 2015 which was included on mixes by the likes of joy orbison, tessela and scuba. as endian he has released first rate tracks on the likes of non plus, electric minds and trevino s birdie imprint. global ep his 2nd ep for the label see s endian back in fine form. xs-10 is a futuristic, hypnotising burner that in the hands of the right dj is sure to be a deadly weapon. on the flip title track global is a warmer, deeper free flowing track with musical flourishes that will keep the party moving.

‘high ends’ is a new label based in paris, following the footsteps of institutions like non standrad productions, backgrounds or perlon. cez, originally from toulouse but now living in the french capital, signs the first ep – a square, gritting electronic piece, brewed from acoustic and modular tones, swaying between enigmatic and spellbinding rythms to minimal style perfectly fitted for dancefloors. inspired by artist such as terrence dixon, margaret dygas or efdemin, cez imposes himself already as a composer with a strong artistic personality.

with the trust and work of isaiah tapes, «destroy the comfort zone» is the second long play record coming out by the mathematics releasee - le matin. going along with its full 12 tracks cd album version insert, this is a non-impairing dreamt and solid record composed by 3 quarters of swamp-sounding electro and water world techno, kept a long time in the dark for maturation and finally coming out. -destroy the comfort zone- brings deepness that will surely help the listener to reach new places.

granulart releases #002, 003 & 005 all bundled up for one special price!